YEAR
PUBLICATION
DESIGNER
TYPE
SORT
all(89)
all(45)
all(995)
all(11)
1915 IMAGES
Basil Ward. Architectural Review v. 117 n. 697 Jan 1955, cover Grand Rapids Industries. Architectural Forum 80 April 1944, 6 Mies van der Rohe. Arts and Architecture. Mar 1952, 21 Robert Stern. Robert Stern. Architectural Design, London 1981, 18 Vittoriano Vigano. Casabella 340 1969, 63 Planert and Lange. Interiors v.101 n.6 Jan 1942, 36 Robert R. Rahman and John H. Langlois. Architectural Forum Jul 1950, 96 Norman Foster. Architectural Design v.61 n.92 1991, 34 Takefumi Aida. GA Houses. 4 1978, 87 Daniel Liebeskind. A+U 216 August 1988, 122 Emilio Ambasz. A+U Special Edition (April 1993) 1989, 47 Ivor De Wolfe and Kenneth Browne. Civilia. Architectural Press London 1971, 74 Eisenman Robertson. A+U 202 July 1987, 76 Le Corbusier. Domus 288 November 1953, 2 Arata Isozaki. Japan Architect 12 Winter 1993, 93 Augusto H. Alvarez. Calli. 29 1967, 46 Tigerman Fugman McCurry. Architectural Record 174 Sep 1986, 103 Ulrich Franzen. Architectural Record. Jul 1971, 116 Stanley Tigerman. Progressive Architecture 61 January 1980, 103 Shin Takamatsu. Arquitectura Viva v. 29 March-April 1993, 93 Helmut Jahn. GA Document 1 1980, 85 Michele Achilli, Guido Canella, Lucio Stellario D'Angiolini, Virgilio Vercelloni. Casabella 278 1963, 37 Ivor De Wolfe and Kenneth Browne. Civilia. Architectural Press London 1971, 80 Chris Dawson and Alan Stanton. Architectural Design 39 July 1969, 374 Hodgetts and Fung. A+U 246 March 1991, 124 Giuseppe Mario Oliveri. Casabella 301 1966, 28 Paul Klee. Architectural Review v.120 n.716 Sep 1956, 147 Jean Nouvel. SD 290 August 1989, 47 Michel Corajoud. L'invention du parc. Graphite 1984, 179 Taft Architects. GA Document. 6 1983, 73 Jacques Herzog, Pierre de Meuron, and Remy Zaugg. Architectural Design v.61 n.92 1991, 55 Henry Bacon. Architectural Record 47 20 March 1920, 379 Collaborative Phase One Plus. Architectural Record. Dec 1972, 89 Luca Meda, Aldo Rossi. Casabella 290 1964, 41 Theo van Doesburg. Envisioning Architecture (MoMA, New York, 2002) 1927, 67