a partial index of published architectural rendering
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1915 IMAGES
Alberto and Diambra Gatti. L'Architettura 1967,
Mies van der Rohe. Arts and Architecture. Mar 1952, 31
Stanley Tigerman and GL Crabtree. A+U 55 July 1975, 39
Ramon Marcos Noriega. Calli. 24 1966, 37
Gunnar Birkerts. GA Document. 9 1984, 97
Ralph Lerner. GA Houses. 11 1982, 120
Sergio Bernardes. Modulo. 25 1961, 11
Michel Corajoud. L'invention du parc. Graphite 1984, 178
John Andrews. Architectural Review v.140 n.836 Oct 1966, 249
Robert Griffin. AA Files 6 May 1984, 86
Ronald Krueck and Keith Olsen. Progressive Architecture 61 June 1980, 75
Rem Koolhaas. Lotus 36 1982, 61
Foreign Office Architects. AA Files 29 Summer 1995, 17
Vernon G. Leckman. Arts and Architecture. Jul 1954, 14
Oscar Niemeyer. Modulo. 10 1958, 13
Michele Achilli, Guido Canella, Lucio S. DAngiolini, Laura Lazzari. Casabella 293 1964, 10
Jarvis Putty Jarvis. Architectural Record 173 Jan 1985, 151
Peter Cook. A+U 1978,
Rossella Marchini, Franco Purini, Francesco Tentori, Vittorio Intronini, Antonelle Sotgia. Casabella. Graphite 1984, 189
Hasegawa Atelier. l'Arca 67 January 1993, 53
Emilio Ambasz. A+U Special Edition (April 1993) 1989, 40
Richmond H Shreve. Pencil Points 20 July 1939, 424
Peter Cook. A+U 1988,
Kenzo Tange. Sinkentiku. June 1956, 26
Borja Garcia Huidobro. Auca. 41 1981, 24
Ben van Berkel. AA Files 28 Autumn 1994, 20
Hiroshi Yoshiuchi. Japan Architect 53 Feb 1978, 18
Zaha Hadid. A+U 204 September 1987, 6
Mies van der Rohe. Architectural Record 100 December 1946, 86
Stanley Tigerman. Architectural Record 172 April 1984, 129
Gerald Exline. A+U 254 Nov 1991, 9
Gunnar Birkerts. Progressive Architecture 56 September 1975, 59
Augusto Guidini. Arquitectura. v.6 n.36 1920, 7
Alden Dow. Interiors v.103 n.5 Dec 1943, 58
Lewis Hobart. Pencil Points 18 June 1937, 389
Peter Eisenman. A+U 252 Sep 1991, 22
Adrian Luchini. A+U 191 August 1986, 103
Amancio Gueses. Architectural Review v.129 n.770 Apr 1961, 241
Eduard Bru. Quaderns. 190 1991, 73
Theo van Doesburg. Envisioning Architecture (MoMA, New York, 2002) 1927, 67