a partial index of published architectural rendering
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1915 IMAGES
Ramon Marcos Noriega. Calli. 24 1966, 37
Sumner Spaulding and John Rex. Arts and Architecture. Mar 1950, 35
Horacio Carminos. Architectural Forum Feb 1953, 156
Barbara Kasten. Arts and Architecture 1985,
Glauco Greleri, Giorgio Trebbi. Casabella 278 1963, 45
Neil Denari. A+U 246 March 1991, 41
Naoyuki Shirakawa. SD 327 December 1991, 16
Stanley Tigerman and GL Crabtree. A+U 55 July 1975, 45
Maria Grazia Dallerba Ricci. L'invention du parc. Graphite 1984, 129
Theodore Luderowski. Architectural Forum 79 September 1943, 92
Dorian Dorian Paquet and Vitra. Pencil Points 18 April 1937, 217
Mies van der Rohe. Architectural Record 68 30 October 1930, 490
Arata Isozaki. GA Houses. 4 1978, 40
L. Duran Veiga and E. Duran Guani. Arquitectura. v.3 n.23 1917, 132
Hamilton Fellows and Nedved. Pencil Points 12 March 1931, 224
Angelo Mangiarotti and Bruno Morassutti. Domus 309 August 1955, 5
Arquitectonica. GA Document. 7 1983, 13
Mies van der Rohe. Envisioning Architecture (MoMA, New York, 2002) 1928, 71
Gio Ponti. Domus 303 February 1955, 11
Boucaud Doyelle Isner Schweitzer. L'invention du parc. Graphite 1984, 142
Adrian Duncan Pilton. L'invention du parc. Graphite 1984, 136
Itsuko Hasegawa. l'Arca 78 January 1994, 35
Architetti Associati di Novara. Casabella 259 1962, 39
Kazuyo Sejima. Japan Architect 6 Spring 1992, 30
A. Quincy Jones and Frederick E. Emmons. Arts and Architecture. Jan 1954, 26
Angelos C. Demetriou. Architectural Record. Apr 1974, 34
Giuseppe Mario Oliveri. Casabella 301 1966, 28
O. M. Ungers. Architectural Design v.61 n.92 1991, 95
Tadao Ando. Japan Architect 1 1991, 232
Dorian Dorian Paquet and Vitra. Pencil Points 18 April 1937, 217
Arquitectonica. GA Houses. 8 1981, 108
Walter Dorwin Teague. Pencil Points 14 October 1933, 439
Michele Achilli, Guido Canella, Lucio Stellario D'Angiolini, Virgilio Vercelloni. Casabella 278 1963, 37
Soria Lezenes Ibos Laroque. Architecture D'Aujourd'Hui 231 February 1984, 48
Hugh Ferriss. Envisioning Architecture (MoMA, New York, 2002) 1924, 52